Dot ile

Paul Klee made this drawing during World War I. It shows a hovering figure, who could be saintly or demonic, overlooking a scene that includes a zeppelin, a decapitated child, a fallen soldier, and a recoiling (or attacking) figure. The soldier’s helmet displays a handle, implying the mechanized or dehumanized war machine. Klee’s title for the drawing includes the depiction of a point (•), which refers to the circular zeppelin or circle that frequently appeared in his drawings as a menacing omen. In 1915 Klee wrote: “The more horrifying this world becomes the more art becomes abstract; while a world at peace produces realistic art.”